Interpreting Historical Keyboard Music. Sources, Contexts and Performance (2013); Contents
Preface
- Introduction
- Part I Renaissance Keyboard Music: Some aspects of P-Cug, MM 242: António Carreira´s keyboard tentos and fantasias and their close relationship with Jacques Buus´s ricercari from his Libro primo (1547), Filipe Mesquita de Oliveira
- Making connections: William Byrd, ´virtual´ networks and the English keyboard dance, David J. Smith
- William Byrd´s My Ladye Nevells Booke (1591): negotiating between the stile antico and the stile modern in the solo keyboard repertory, Walter Kurt Kreyszig. Part II 17th-Century Keyboard Music: Giovanni Maria Trabaci and the New Manner of Inganni: a musical mockery in the early seicento ricercare, Massimiliano Guido
- Places of memory and invention: the compositional process in Frescobaldi´s manuscripts, Christine Jeanneret
- The Libro di Fra Gioseffo da Ravenna: a little light on a 17th-century Italian keyboard collection, Barbara Cipollone
- A discourse of styles: contrasting gigue types in the A minor Jig from the Purcell partial autograph, GB-Lbl, MS Mus.1, Terence Charlston. Part III Performance Practice: Questions of keyboard temperament in the 16th century, John Koster
- 17th-century harpsichords: playing the four-foot stop, Peter Mole
- ´In playing those bells, his amazing dexterity raised my wonder much higher´: carillon performance practice in the 17th and 18th centuries, Carl Van Eyndhoven
- Dynamics and orchestral effects in late 18th-century Portuguese organ music: the works of José Marques e Silva (1782-1837) and the organs of António Xavier Machado e Cerveira (1756-1828), João Vaz
- Czerny and the organ: pragmatism, prestige and performance practice, Iain Quinn. Part IV Perspectives on 18th-Century Repertoire: Some reflections on François Couperin´s ´new and diversified character´, Jane Clark
- Music for connoisseurs and amateurs: C.P.E. Bach and the keyboard, Susan Wollenberg
- João Cordeiro da Silva (1735-1808?): a Portuguese Galant keyboard composer, Mário Marques Trilha. Part V The 19th-Century Piano and Repertoire: Grand and grander: economic sidelights on piano design and piano salesmanship in early 19th-century Vienna, Tilman Skowroneck and Andrew Pinnock
- Left-hand techniques in Carl Czerny´s pedagogical piano works and 19th-century pianism, Katherine Wong
- In the footsteps of Jean Paul: sonority and pedalling in Robert Schumann´s Papillons, Op. 2, Balder Neergaard
- A forgotten repertoire: the emergence of female piano composers in 19th-century Portugal, Nancy Lee Harper
- Bibliography
- Index.
