Historical Organ Techniques and Repertoire vol.1 Spain 1550-1828 (Johnson)
HISTORICAL INFORMATION: Introduction - The Earliest Organs in Spain
- Use of the Organ in Spain
- Playing with Good Taste
- The Church Modes
- Spanish Keyboard Tablature
- Short Octave Bass
- Editorial Method
- Recordings
- Types of Composition
- The Organs - Specifications and Stoplists (Gothic, Early Sixteenth Century: Flemish Influence, Late Sixteenth Century: Castilla, Late Seventeenth Century: Divided Keyboard in Castilla, Late Seventtenth Century: Catalunya
- Mid-Eighteenth Century: Castilla, Catalunya (from 1741), Historical Firts in Spanish Organ Design)
- Organ Registration (Sixteenth-Seventeenth Centuries, Early Divided Keyboard Registrations, Late Seventeenth Century, Eighteenth Century)
- Posture and Hand Position - Renaissance: Santa Maria
- Baroque: Nassare
- Figering - Correlation Between Fingering and Meter
- Principal Fingers and Notes of Long Duration
- Scale Passages of Short Note Values (Right Hand Ascents, Right Hand Descents, Left Hand Ascents, Left Hand Descents)
- Use of the Thumb and Little Finger
- Adjacent Notes
- Repeated Notes
- Sequences
- Substitution
- Intervals
- Voice Distribution
- Parallel Thirds
- Chains of Suspensions
- Pedaling
- Articulation
- Ornamentation - Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Rhythm - Time Signatures and Tempo
- Rhythmic Alteration (Sixteenth Century, Seventeenth Century)
- Sources - Performance Practices
- Majoe Composers for Keyboard Instruments (Modern Editions)
- Modern Anthologies
- Books and Articles
- COMPOSITIONS: Anonymous - Canción de Clarín muy aprisa el compás, respondiendo el eco
- Entrada de Clarines, antes de tocar canciones
- Fabordón del Primero Tono
- Glosado del Primero Tono
- Minué francés
- Passacalles de Primer Tono (duple meter)
- Passacalles de Primer Tono (triple meter)
- Blasco de Nebra - Batalla de Clarines y Minuet
- Bruna - Tiento de Falsas de Segundo Tono
- Tiento de Falsas de Sexto Tono
- Cabanilles - Tiento leno por B cuadrado
- Cabezón - Duo I
- Duo V (Ave Maris Stella II)
- Duo VII (Ave Maris Stella IV)
- Duo IX
- Fabordones del Primer Tono
- Durón - Gaitilla de Mano Izquierda
- Jimenez - Batalla de Sexto Tono
- Pange lingua a 3º
- Verso de Sexto Tono sobre los Seculorum
- Larrañaga - Sonata in G Major
- Lidón - Sonata para la Corneta real con el eco
- López - Verso de Sexto Tono
- Sonata in G Major
- Oxinaga - Sonata de Quinto Tono
- Peraza - Tiento de Registro Alto de Primer Tono
- Santa María - Fantasía 3
- Fantasía 5
- Fantasía 9
- Soler - Sonata de Clarines
- Soto - Tiento de Sexto Tono
- ILLUSTRATIONS: Spanish Keyboard Tablature
- Short Octave Bass
- Map of Spain
- Evolution of Spanish Organ Cases, 1600-1725
- Positive Organ, Hugo van der Goes, 1476
- Saint Cecilia at a Positive Organ. Anonymous Portuguese, c.1620
- Organ case, c.1490. Cathedral, Perpignan
- Organ case, c.1380. Old Cathedral, Salamanca
- Organ case, c.1413, horizontal reeds 18th century. La Seo Cathedral, Zaragoza
- Organ case, c.1420, horizontal reeds 1753. San Pablo, Zaragoza
- Organ case, 1539, horizontal reeds 1794. Cathedral, Barcelona
- Organ case, 1563. Cathedral, Tarragona
- TABLES: Summary of Fingering for Scale Passages of Faster Notes
- Fingering Intervals and Chords
- Ornaments